Stand by · pulling the latest frames
Stand by · pulling the latest frames

The camera breathlessly traverses landscapes and whirls into abstraction, all the while eye-ing fanciful foreground objects of domestic life doing their own dizzy dervish choreography, until the hand of the artist reveals the true scale. Just out of camera view are Aaron’s hand-made rigs that guide the dynamic movement.
0.0
Score
0 votes
Editorial context, craft details, and films that share its DNA.

Attack of the Super Monsters
1983