Stand by · pulling the latest frames
Stand by · pulling the latest frames

First seen in Naples in 1827, this farce of a “theatre within a theatre” narrates the mishaps of a second-rate opera company as it stages the great serious drama Romolo ed Ersilia in a provincial theatre. The unbearable tensions between the two lead singers are finally resolved with the decisive intervention of one of their mothers. The co-production by Ópera de Lyon along with the Grand Theâtre de Genève and Teatro Real is brought to life by Laurent Pelly, a tireless champion of Donizetti's comedies.
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“An opera where the prima donna is a baritone?”
Editorial context, craft details, and films that share its DNA.
Sylvia Schwartz
Sylvia Schwartz
Luigia, la seconda donna