Stand by · pulling the latest frames
Stand by · pulling the latest frames

A famous painting by Antonello da Messina, "the man with a gray glove", has been entrusted to an old restorer. When, subsequently, the painting is withdrawn from the restorer's studio and exposed, the art critic Drago discovers that it is not the original, but a copy.
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Editorial context, craft details, and films that share its DNA.

Agostino Salvietti