Stand by · pulling the latest frames
Stand by · pulling the latest frames

An elliptical, layered psychological horror that brings together multiple storylines which intersect in complex ways. Embedded within these narrative threads are topics salient to the documentary/non-fiction field: the afterlives of images of war and their fictional representation; the potential tokenization of subjects, stories, and makers by the industry; and the ethical dilemmas arising from the commercialization of the stock footage market.
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Editorial context, craft details, and films that share its DNA.

Noel David Taylor
Derek Shannon