Stand by · pulling the latest frames
Stand by · pulling the latest frames

This portrait of a film director unlike any other attempts to capture the essence of Vittorio de Seta’s rapport with the humble people he filmed and elegantly brought to Cinema Scope’s big screen in color from the 1950s onwards. From his home in Calabria, the film director looks back over his epic films.
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Editorial context, craft details, and films that share its DNA.


Gaetano Ercolano
Gaetano Ercolano
Self