Stand by · pulling the latest frames
Stand by · pulling the latest frames

In Aurand’s signature diaristic form, roses in bloom, farm animals, Orkney landscapes, and scenes of the late filmmaker Margaret Tait having tea are rendered through expressive Bolex movements as well as the director’s active camera, and punctuated by abstract swaths of saturated and shifting colors. The film is an homage to Tait, whom Aurand visited in Orkney.
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Editorial context, craft details, and films that share its DNA.

Against the Tide
2021