Stand by · pulling the latest frames
Stand by · pulling the latest frames


For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.
7.5
Score
4 votes
“What is happening in that room?”
Editorial context, craft details, and films that share its DNA.


Francisco Calvo-Serraller
Francisco Calvo-Serraller
Himself - Historian
2002