OlaMaxReel 01
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Stand by · pulling the latest frames
Stand by · pulling the latest frames

Davide Pozzi, who oversaw the delicate process of scanning the original camera negative, discusses the restoration of Alain Resnais' 1959 film HIROSHIMA MON AMOUR with cinematographer Renato Berta, a special consultant on the project.
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Editorial context, craft details, and films that share its DNA.
