Stand by · pulling the latest frames
Stand by · pulling the latest frames

The fortuitous meeting of two women to the identical first name, Lucy, who formerly loved the same man, Jonathan, induced, in this film, of the polysemous variations on the memory, art, and the difficult relationship between creation and emotional life. Dehumanized by an exclusive artistic practice, the man lost his reference marks little by little. "Lucy en miroir" wants to be, also, a shifted and transverse second reading of "The Contempt" ("Le Mépris") of Godard, by a step more plastic than analytical or conclusive.
8.0
Score
1 votes
Editorial context, craft details, and films that share its DNA.
Stéfani de Loppinot
Stéfani de Loppinot
The second girl who looks the film