Stand by · pulling the latest frames
Stand by · pulling the latest frames


1976 marks the beginning of Beirut’s calvary. With a child’s eyes the filmmaker follows for six months the daily destruction of the city’s walls. Every morning, between 6 and 10am she roams around Beirut while the militia from both sides rest from their night of fighting.
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Editorial context, craft details, and films that share its DNA.

Objects of War
2000