Stand by · pulling the latest frames
Stand by · pulling the latest frames

Join schlock impresario Francis Gordon as his intrepid crew attempt to shoot an impromptu monster movie in the three days left over from the film they’ve just wrapped. From the Saul Bass opening title homage to its highly authentic, comic evocation of 1950s’ grade-Z grind house, this was lost when it was made in 1999. But ace restorer Mark Rance (who restored Tobe Hooper’s Eggshells) found it and has lovingly refurbished it under writer/director Kelly Greene’s supervision.
4.0
Score
3 votes
Editorial context, craft details, and films that share its DNA.

Ryan Wickerham
Jack Haroldson