Stand by · pulling the latest frames
Stand by · pulling the latest frames

An early experimental film by Toshio Matsumoto. Produced as part of the student riots in Japan at the start of the 1960s, Matsumoto uses collage, archival footage, and impassioned narration to create an expressive, visceral criticism of the US-Japan Security Treaty.
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Editorial context, craft details, and films that share its DNA.
2006