Stand by · pulling the latest frames
Stand by · pulling the latest frames
Muhamed
A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.
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Editorial context, craft details, and films that share its DNA.


Bosnia That Vanished
1944