Stand by · pulling the latest frames
Stand by · pulling the latest frames

Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.
8.0
Score
1 votes
Editorial context, craft details, and films that share its DNA.