Stand by · pulling the latest frames
Stand by · pulling the latest frames

Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
3.0
Score
1 votes
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Editorial context, craft details, and films that share its DNA.
1943