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Stand by · pulling the latest frames
Stand by · pulling the latest frames

The outcome of Hernández’ friendship with the dancer and choreographer Bernardo Montet, this work, ranging from black-and-white to color, is the vertiginous record of a cross-dressing act, or a therapeutic performance on identity. Presented for the first time in Rouen, on May 26th 1987.
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Editorial context, craft details, and films that share its DNA.