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In this preliminary study for Study IV “Liberation” a man hauls his alter ego through various spaces. The scene is reminiscent of Luis Buñuel’s “An Andalusian Dog”, where the man drags along a piano, two priests, and two dead donkeys. Weiss was not happy with this first, more personal version. He gave up the attempt to re-edit it.
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Editorial context, craft details, and films that share its DNA.