Stand by · pulling the latest frames
Stand by · pulling the latest frames

An absurdist fable set in the numerous parallel realities of late-1990s Serbia. As a family disintegrates, Szabolcs Tolnai’s film effortlessly combines melancholic ruminations on middle age with dollops of unlikely colour, rejuvenation and invisible art projects.
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Editorial context, craft details, and films that share its DNA.
7.1Summer 1993
2017