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Stand by · pulling the latest frames
Stand by · pulling the latest frames

Made with Washington DC's notorious gospel-punk outfit The Make-Up. The musicians seek "creative asylum" in a subcultural womb. This road movie is, in the words of a Parisian critic, "comme si Foucault roulait avec les situationistes dans le Scooby-Doo Van". It is both a lyrical document of a time and space(s) which no longer exist as well as a record of one of the most kick-ass bands on earth.
7.0
Score
2 votes
Editorial context, craft details, and films that share its DNA.
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