Stand by · pulling the latest frames
Stand by · pulling the latest frames

An apocalyptic vision of man after a cosmic catastrophe, this film is a terrifying metaphor of a dehumanized future. The Brazilian Cinema Novo, German expressionism of the twenties, and the ideologically motivated ‘cruelty’ of a Buñuel come together in this ferocious work of a French theatre collective – an ambitious, almost completely successful example of visual cinema at its best.
5.8
Score
5 votes
Editorial context, craft details, and films that share its DNA.

Sylviane Fioramonti
Sylviane Fioramonti