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Stand by · pulling the latest frames
Stand by · pulling the latest frames

Based on an English academic’s memoir on stalking and being stalked, a digital film essay on cinema and absence, on Hitchcock and Antonioni, on cinema and cities. It is a story of waiting, self-delusion, panic, fear of violence, and of modern technologies which define the urban stalker as they do the new terrorist.
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Editorial context, craft details, and films that share its DNA.