Stand by · pulling the latest frames
Stand by · pulling the latest frames


Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
7.0
Score
4 votes
Editorial context, craft details, and films that share its DNA.

Robert Beavers
Self
6.6The Prince of Nothingwood
2017