Stand by · pulling the latest frames
Stand by · pulling the latest frames

A naive look at Southern California by an outsider, and/or an essay on displacement through the disjunction of Californian images and off screen voices. Where is the location of these voices, here or there? Are the images near or far in relation to the voices? Are the images commenting on the images or vice versa?
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Editorial context, craft details, and films that share its DNA.