Stand by · pulling the latest frames
Stand by · pulling the latest frames

Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)
6.2
Score
14 votes
Editorial context, craft details, and films that share its DNA.
Betty Lee Balder
Betty Lee Balder