Stand by · pulling the latest frames
Stand by · pulling the latest frames

In three virtuosic sequences created entirely in-camera, Benning alternates contrary camera movements in a trio of Chicago locations with increasing rapidity to a point where they first fracture and then merge in the viewer’s eye. Preserved by the Academy Film Archive in partnership with Austrian Film Museum in 2013.
8.0
Score
1 votes
Editorial context, craft details, and films that share its DNA.