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Stand by · pulling the latest frames
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Jonas Mekas reflects on a 1966 trip to Avignon that offered solace during a period of personal crisis. Combining diary texts read by Angus MacLise with images of place and memory, the film becomes a lyrical meditation on pain, survival, and the restorative power of reflection.
7.4
Score
24 votes
Editorial context, craft details, and films that share its DNA.