Stand by · pulling the latest frames
Stand by · pulling the latest frames

A darkly beautiful visual essay that explores human emotion in response to societal standards. With a lone cello providing the soundtrack, this collage of archival footage from 1950’s-era films is a superb example of manipulation via sound and image (Dorothy Woodend, DOXA Documentary Film Festival)
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Editorial context, craft details, and films that share its DNA.
1997