Stand by · pulling the latest frames
Stand by · pulling the latest frames

In 1850 the Italian dancer Maria Baderna arrives at Brazil, her fame and the scandals she provokes turns her name in a common expression. The film uses passages supposed to be about her to criticize modern Brazil, the dictatorship period and also a homage to filmmakers like Rogério Sganzerla.
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Editorial context, craft details, and films that share its DNA.
2005