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Stand by · pulling the latest frames
Stand by · pulling the latest frames


Lisandro Alonso returns to La Pampa, to the same locations of Freedom, to shoot his Carta para Serra (or Sin título), with a camera that seems to float among the vegetation. He has the company of Misael Saavedra, and yet instead of looking back (or making a tribute to his actors, because that was the subject in Fantasma) this movie seeks to be a prologue for his next one.
6.0
Score
8 votes
Editorial context, craft details, and films that share its DNA.