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Stand by · pulling the latest frames
Stand by · pulling the latest frames


Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street.
7.1
Score
10 votes
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Editorial context, craft details, and films that share its DNA.