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A colourful feature about young criminals (Ominato Masao, Tachibana Kaoru, Tatesawa Sadoru), sex scenes and their bitter ends. Onishi again is using almost no dialogue, that does not make it easy to watch this film, but it makes so much sense. While killing and suffering or seldom enjoying nice and peaceful moments, what should they talk about?
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Editorial context, craft details, and films that share its DNA.