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Stand by · pulling the latest frames
Stand by · pulling the latest frames

Foreman’s longtime friend Ken Jacobs situated himself in the audience of the legendary Ontological-Hysteric theater space at 491 Broadway to shoot this whiplash-inducing single-frame study of a dynamic play filled with frantic action, full frontal nudity, and so much more. Newly digitized from the camera roll discovered in Foreman’s archives.
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Editorial context, craft details, and films that share its DNA.