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Stand by · pulling the latest frames
Stand by · pulling the latest frames

Joan Vollmer was supposed to be a writer. Instead, she’s found herself playing house with a heroin addict in Mexico City. As she sets the table for the men who will go on to become the Beat Generation, the line between performance and reality starts to blur.
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“It's not the words they're paying for... it's the performance.”
Editorial context, craft details, and films that share its DNA.