Stand by · pulling the latest frames
Stand by · pulling the latest frames


In this contemporary take on the classic fable “The Boy Who Cried Wolf,” a man finds himself bored with his job — and decides to amuse himself by playing pranks on his coworkers, only to find that they may be disinclined to believe him when their trust is most critical.
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“Not too long ago, there was a man. A man bored with his job. A man looking for something to amuse himself. A man who would learn a valuable lesson.”
Editorial context, craft details, and films that share its DNA.

Brooks Tegler
Pearce