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Stand by · pulling the latest frames
Stand by · pulling the latest frames


Using a trove of archive photographs and film, Kureishi reflects on his father’s experiences as an immigrant in the post-war years, his own youth and entry into the world of theatre, the tumult around the publication of The Satanic Verses and its continued reverberations, and how he has transformed the life around him into a work of art.
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Editorial context, craft details, and films that share its DNA.
