Stand by · pulling the latest frames
Stand by · pulling the latest frames


In the halls of the Uffizi Gallery, the great Venetian Palaces, or among the naves of the most important churches in Rome, Renaissance artworks conceal countless faces, hidden in plain sight: those of African and afro-descendant characters. Who were they? Where did they come from? Why were they portrayed, and why did they remain unobserved until these days?
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Editorial context, craft details, and films that share its DNA.
Jonathan K. Nelson
Jonathan K. Nelson
Himself

Appalachian Journey
1991