Stand by · pulling the latest frames
Stand by · pulling the latest frames


What binds us to the images we create? If the act of capturing them belongs to us, to whom does the image belong: to what allows itself to be seen, to the one who records it, or to the one who first imagined it? Between thought and the world, perhaps the image belongs to no one or passes through everyone.
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Editorial context, craft details, and films that share its DNA.
João Pedro
Man II