Stand by · pulling the latest frames
Stand by · pulling the latest frames

Swimming, Dancing examines audiovisual representations of the Yangtze (1934–present), from silent film to video art to the contemporary vlog. Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.
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Editorial context, craft details, and films that share its DNA.

Visions Cinema: Film as a Way of Life: Hong Kong Cinema - A Report by Tony Rayns
1983