Stand by · pulling the latest frames
Stand by · pulling the latest frames


Director Park Soo-nam, a second-generation Korean resident in Japan who is losing his eyesight, decides to digitally restore 16mm film she shot a long time ago, relying on her daughter Park Ma-eui's eyesight. The blood, tears, and numerous corpses of Koreans living in Japan are clearly engraved in the film filmed over 50 years.
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“As the films are restored, these stories come back to life before our eyes and resonate in our eyes.”
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Editorial context, craft details, and films that share its DNA.
Horoomon
2025