Stand by · pulling the latest frames
Stand by · pulling the latest frames


Shot to glamourise the morbid aesthetic of a dull March day in Greater Manchester; a protagonist that could be plucked out of any pub from Stockport to Coventry; and with a score echoing the unsettling quirk of a Jon Brion piece, 'sex, coffee and a cinnamon roll...' follows a jaded, nonchalant Man as he becomes rudely entangled in a plot to retrieve his stolen wallet from a 10 year-old boy.
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“Wha could go wrong?”
Editorial context, craft details, and films that share its DNA.
Elliot James Reay
Busker