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Persona turns a cinematic gaze on Écran Somnambule (2012), a performance by Latifa Laâbissi, that is in turn based on the film “Mary Wigman tanzt” (1930), an excerpt of her “Hexentanz” (1926). In the film, a physical experience of the disruptive power of the masked figure is conveyed in a circumscribing camera movement.
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Editorial context, craft details, and films that share its DNA.
