Stand by · pulling the latest frames
Stand by · pulling the latest frames


Shot in Florence, the film draws on Leonardo da Vinci’s notebooks and Paul Valéry’s essay on da Vinci’s creative process to explore parallels between Renaissance space and the moving image. Beavers employs rapid pans and tilts along the city’s facades, interspersed with glimpses of his own face, linking camera movement to the filmmaker’s investigative gaze. The work marks a turning point in his practice, foregrounding presence and perception as central to his method. (Note: The film was re-edited and re-released in 1999.)
6.3
Score
14 votes
“Color as a description of light.”
Editorial context, craft details, and films that share its DNA.
9.0The Making of King Arthur
2004