Stand by · pulling the latest frames
Stand by · pulling the latest frames

During the Second World War, women were for the first time allowed to work as war correspondents. Based on reports, letters and diary excerpts, filmmaker Luzia Schmid sketches a personal portrait of three fearless women and their unique attempts to report on the war.
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Editorial context, craft details, and films that share its DNA.


Łódź Ghetto
1989