Stand by · pulling the latest frames
Stand by · pulling the latest frames

Aurora Martinez is the perfect example of an empowered woman who managed to create a name for herself from her career as a director. Martínez’s films are produced almost exclusively in Mexico, with dialogue in Spanish and marketed to the Latin American population. Although her productions receive virtually no theatrical release in the United States, they can be found in many U.S. video outlets, both in VHS and DVD format. Martínez’s movies are generally in the action genre, concentrating on such staple themes as feuds between drug traffickers, illegal trade in human organs, and police investigations, and thus they are not of a kind that normally attracts the attention of foreign film critics. The two facts aforesaid likely explain why she is virtually unknown in the English-speaking world, despite her highly prolific output. Martínez appears on screen in many of her movies, though almost never in a leading role. She has often cast Mario Almada in leading roles including, Tijuana, ciudad de narcos in 1998. Her movies tend to portray extreme, explicit violence.
5.8Por un vestido de novia
1983
6.4Death Dealers
1995
5.0Seeing Double
2013

La muerte del judicial
1997
5.0Bachelor Party
2013

Me anda buscando la ley por traficante de drogas
2000
5.7El fantasma de la coca
1999

Pueblo sin leyes
1992
5.0Todo personal
1998

Ellas asesinas
2009

Un Asesinato Perfecto
1995
5.0Monjas narcotraficantes II
2004
5.0The Mirror's Reflection
2013

Ahogado el niño se tapa el pozo
1994
5.0La fuga del penal de Apatzingán
2004
6.0Son tus perjúmenes mujer
1978
6.5Por tu maldito dinero
1998
6.0El regreso de Camelia la Chicana
2000
5.0Día de los muertos
2007
5.0Las 4 bellas del norte
2004