Stand by · pulling the latest frames
Stand by · pulling the latest frames

The filmmaking career of Carmelo Bene (1937 - 2002) lasted from 1968 to 1973, six years out of a lengthy time spent in the theater that made Bene one of the most celebrated figures of the Italian avant-garde in the second half of the 20th century. Bene first made a name for himself with a controversial production of Camus’ Caligula in Rome in 1959. Subsequent productions retained this sense of notoriety, and Bene (like Pasolini) quickly acquired a police record. Bene, however, would come to bemoan the controversy his work created, because it attracted an audience looking for shocks and titillation, while he himself was more concerned with reinventing the vocabulary of the theater: sets, gestures, texts.
6.2Catch As Catch Can
1967
6.8Oedipus Rex
1967
4.8Necropolis
1970
4.2Red Hot Shot
1970
6.7Salomé
1972
6.5Our Lady of the Turks
1968
6.2Umano Non Umano
1969
7.5Tre nel mille
1971
5.7Amleto di Carmelo Bene (da Shakespeare a Laforgue)
1978
7.5One Hamlet Less
1973

Cos'è il teatro?!
1990

Carmelo Bene: Uno contro tutti
1994

Macbeth Horror Suite
1997
3.0Hommelette for Hamlet, operetta inqualificabile (da J. Laforgue)
1990
4.7Claro
1975
6.0Capricci
1969
7.2Hermitage
1968
6.8BENE! Vita di Carmelo, la macchina attoriale
2022

Riccardo III
1981
7.6Pinocchio, ovvero lo spettacolo della Provvidenza
1999