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Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
4.9Cinématon
1978
8.0The Lovely Month of May
1963
7.2Chronicle of a Summer
1961
5.1Son of Gascogne
1995
7.3The Dreamed Films
2010
6.0Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
1999
8.0La Nouvelle Vague par elle-même
1964
5.7The Doll
1962
9.0Pierre Fatumbi Verger: Messenger Between Two Worlds
1998

Freddy Buache, le cinéma
2012
3.2My Conversations on Film
2013
9.0Ciné-Portrait of Raymond Depardon
1983

Germaine chez elle
1994

Jean Epstein, Young Oceans of Cinema
2011

World Without a Game
1966
8.0Nouvelle Vague : El cine sin dogmas
2000
6.0Letter to Jean Rouch
1992

Portrait de Jean Rouch
2004
6.3The Mad Masters
1955
9.0Ispahan: A Persian Letter (The Chah Mosque at Ispahan)
1977