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Michael Findlay, along with his wife Roberta Findlay, directed and produced numerous sexploitation movies. They have been described as "the most notorious filmmakers in the annals of sexploitation". In the mid-to-late 1960s, Findlay was prominent among a small group of underground New York filmmakers (including Joseph W. Sarno, Joseph P. Mawra, and Lou Campa) that produced exploitation "roughies" (a mix of sex and sadism) for the grindhouse theater market. Sometimes he would direct under the alias Julian Marsh and act in his own films billed as Robert West. His wife Roberta (aka Anna Riva) was the cinematographer, co-writer, and supporting actress for many of their films together. They also employed the same actors repeatedly, most notably Uta Erickson, and Marie Brent, aka Janet Banzet. The Findlays were friends with George Weiss, producer of Ed Wood's Glen or Glenda and a series of fetishistic Olga films (Olga's House of Shame, Olga's Girls, et al.). In 1964 Weiss encouraged them to make films in this new subgenre of violent sexploitation. Description above from the Wikipedia article Michael Findlay, licensed under CC-BY-SA, full list of contributors on Wikipedia
4.5Janie
1970
3.0Snuff
1976
4.8The Ultimate Degenerate
1969
4.9The Touch of Her Flesh
1967
5.3The Kiss of Her Flesh
1968
3.6Lusting Hours
1967
4.1Take Me Naked
1966
5.5The Curse of Her Flesh
1968
2.9Mnasidika
1969
3.8Body of a Female
1964
5.0The Slaughter
1971
4.7A Thousand Pleasures
1968
4.3The Sin Syndicate
1965

Party Levitation
2021
4.6Shriek of the Mutilated
1974
3.7Take My Head
1970
10.0Virgins in Heat
1976
5.3The Altar of Lust
1971
5.0Bacchanale
1970

Wet and Wild
1976