Stand by · pulling the latest frames
Stand by · pulling the latest frames

Téo Hernández was born on December 23, 1939 in Ciudad Hidalgo, Mexico. After studying architecture, he founded with a friend the CEC (Centro Experimental de Cinematografia), in Mexico City. In 1960, the French Institute of Latin America financed the first project of the group, a documentary that will remain unfinished. He moved to Paris in 1966. From 1968 to 1975, he made films in super 8 in London, Paris, Morocco and Denmark. Then accompanied by Michel Nedjar with whom he turned "Michel là-bas" in Morocco, he traveled for six years in India, Nepal, Greece ... Back in Paris, he realized Salomé (1976) in the spirit of Oscar Wilde. He meets Gaël Badaud, with whom he begins a long series of collaborations where elements of his own experience are incorporated in the films. In 1977, he realized Cristo, which will be part of a trilogy on passion with Cristaux and Lacrima Cristi. In 1980, with his friends (Nedjar, Jakobois and Badaud) he founded the group MétroBarbèsRochechou Art.
4.9Cinématon
1978
5.8The Sun Also Rises
1957

Un cinéaste qui ne tient pas la caméra est comme un peintre qui ne tient pas le pinceau (Conversation avec Teo Hernandez II)
2014

Les Jours et les Nuits
2021

Chutes de trois gouttes de mezcal dans une coupe de champagne
6.04 à 4 Métro-Barbès-Rochechou-Art
1983
3.2Cristo
1977
4.2Sur Graal de T.H.
1981

Fragments
1987

Nuits transparentes
2011

Mes films commencent au moment où les autres se terminent (Conversation avec Teo Hernandez I)
2014
5.0Au cœur du cristal
1980

Le chant de l'âme
1989

Three Drops of Mezcal in a Glass of Champagne
1983

Bouquet of Eyes
1983

Cinématon n°16 : Teo Hernandez
1978

Désir
1977

Le printemps
1987
1.0À quoi rêve l'araignée ?
1982
5.214, Bina Garden
1968