Stand by · pulling the latest frames
Stand by · pulling the latest frames

Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
4.0Pink Physical Examination
1985
5.7Chikan densha: Iyarashii kôi
1993
4.0Zetsukin gyaru: Yaruki munmun
1985
4.3Female Prisoners: Brutal Treatment
1984

Autumn
2016

Japanscope, panorama de la nouvelle Nouvelle Vague
2015
2.0I Stand Alone - SEX & LOVE
1996
3.6Tokyo Elegy
1999
2.0Groper Train: Start at the Back
1987
2.0Groper Train: Final Stop
1986
2.0Cruising Love Story
1991
2.0Wakazuma Misshitsu Bôkô Jiken
1985

Cross the Lens
2006

I'm Being Watched: An Interview with Hisayasu Sato
2026

Walking in Circles: Shinjuku with Hisayasu Satô: Part 2
2026

In The Sea of Trees

Unidentified Followed Objects (UFOs): An Interview with Hisayasu Sato
2026

Walking in Circles: Shinjuku with Hisayasu Sato: Part 3
2026

Lost in the Bedroom: An interview with Kyôko Nakamura
2026

Revenge in S&M: An Interview with Hisayasu Sato
2026