Stand by · pulling the latest frames
Stand by · pulling the latest frames

Georges Méliès (December 8, 1861 - January 21, 1938), full name Marie-Georges-Jean Méliès, was a French illusionist and filmmaker famous for leading many technical and narrative developments in the earliest days of cinema. One of the first filmmakers to use multiple exposures, time-lapse photography, tracking shots, dissolves, and hand-painted color in his work, Méliès pioneered effects that would define cinematic special effects for decades to come. A prolific innovator in the use of special effects, Méliès accidentally discovered the substitution stop trick in 1896, a method of creating seamless disappearing and/or appearing effects used throughout both films and television for decades to come. Because of his ability to seemingly manipulate and transform reality through cinematography, Méliès is sometimes referred to as the first "Cinemagician". Two of his best-known films are A Trip to the Moon (1902) and The Impossible Voyage (1904). Both stories involve strange, surreal voyages, somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. Méliès was also an early pioneer of horror cinema, which can be traced back to his Le Manoir du diable (1896).
7.9A Trip to the Moon
1902
5.2A Terrible Night
1896
7.3The Impossible Voyage
1904
7.7The Extraordinary Voyage
2011
6.4Le manoir du diable
1896
6.3Bluebeard
1901
5.7Robinson Crusoe
1902
5.6The Christmas Dream
1900
4.9Playing Cards
1896
6.2Cinderella
1899
6.5Going to Bed Under Difficulties
1900
5.7Apparitions
1903
7.0Sure Cure for Indigestion
1902
5.8The Ballet Master's Dream
1903
5.3Naval Combat in Greece
1897
5.9Rip's Dream
1905
5.4Jupiter's Thunderballs
1903
5.7Ulysses and the Giant Polyphemus
1905
7.0The Astronomer's Dream
1900
5.7Le château hanté
1897